Check out the press release.
Check out coverage of last year's Izzy Awards.
Info on the ceremony forthcoming.
- - -
Sorry for the lack of updates. I was rowing all last week in Georgia and was usually rowing, eating, sleeping, or too tired to put together a post. I've got a bunch of projects going on at once but look forward to writing an entry on indymedia and beer (together). It's like peanut butter and jelly or Sonny and Cher or Ithaca and cold gray winters.
Wednesday, March 24, 2010
Tuesday, March 9, 2010
Alice in La La Land (Spoiler Below)
Pop-ups in a newspaper? Come on, that's just tacky. The Wall Street Journal has been doing nontraditional ads as well, ever since you-know-who became you-know-what. But.
Just yesterday I thought I got the end of a roll of paper in The Journal Report's coverage of the Environment. There was the front page, then in front of that, a half-front page with the same text and graphic, connected to a full page on the back. You could pull away the false front page to reveal a one-and-a-half page BMW ad. Now that's clever! But.
But the difference between the Wall Street Journal and the LA Times is that the LA Times made it so that the entire front page was an advertisement! You could still read everything you needed to in the Wall Street Journal without a painted Johnny Depp inviting you to see his latest movie (which, by the way, was formulaic, visually riveting but soulless, and not nearly odd enough to grab my attention).
End Transmission.
SPOILER:
As I see it, the ending can be interpreted one of two ways:
1. In support of Imperialism, Opium Trade/Opium Wars, and "RAPE OF CHINA!" as one friend put it.
2. An ironic rejection of this. After all, Alice is Crazy, and only crazy people could possibly come up with ideas like trading with China, D.A.R.E. [why yes, that is from the Surgeon General], and funding drug-producing contras and turning a blind eye when these drugs make their way into America. Among other things.
I sure hope it is the second. Otherwise it's a very cold and frightening move on Burton's part. But with my disappointment in the movie, I am inclined to believe Burton's message is the first option.
Just yesterday I thought I got the end of a roll of paper in The Journal Report's coverage of the Environment. There was the front page, then in front of that, a half-front page with the same text and graphic, connected to a full page on the back. You could pull away the false front page to reveal a one-and-a-half page BMW ad. Now that's clever! But.
But the difference between the Wall Street Journal and the LA Times is that the LA Times made it so that the entire front page was an advertisement! You could still read everything you needed to in the Wall Street Journal without a painted Johnny Depp inviting you to see his latest movie (which, by the way, was formulaic, visually riveting but soulless, and not nearly odd enough to grab my attention).
End Transmission.
SPOILER:
As I see it, the ending can be interpreted one of two ways:
1. In support of Imperialism, Opium Trade/Opium Wars, and "RAPE OF CHINA!" as one friend put it.
2. An ironic rejection of this. After all, Alice is Crazy, and only crazy people could possibly come up with ideas like trading with China, D.A.R.E. [why yes, that is from the Surgeon General], and funding drug-producing contras and turning a blind eye when these drugs make their way into America. Among other things.
I sure hope it is the second. Otherwise it's a very cold and frightening move on Burton's part. But with my disappointment in the movie, I am inclined to believe Burton's message is the first option.
Labels:
Advertising,
Deception,
Journalism,
Newspapers,
Wall Street Journal
Sunday, March 7, 2010
Narrative Journalism
As part of my final project for Narrative Journalism, I am posting pieces of my work here as I write. They might just be sentences, paragraphs, full stories. They will be achronological and non-narrative. This is mostly an exercise for me, but I hope you enjoy them nonetheless. Feel free to comment or e-mail me with suggestions!
See the last section: Trivia at the Nameless Bar.
Driving to the Ithaca Beer Company
Head south on New York State Route 13 and you’ll hit that corner of Ithaca that is not so gorges, the big-box store section that bitters Ithaca’s malty, easy-going local sweetness. Industrial parks and strip malls; Wal-Mart, Lowes, Kohls, Midas, Barnes & Noble, McDonalds, Wendy’s, Friendly’s, Burger King. Grey buildings with bright signs line the banks of this gently snaking river of commercialism, a reminder that that Ithaca is, after all, just another American town. Sure, you’ll pass by local staples Manos Diner and the recently closed Smart Monkey Café, but you’re not in The Commons anymore, Toto.
Commercialism ends with The Home Depot on your right as you cross the threshold of a robin-blue bridge just before Buttermilk Falls State Park. Here the road straightens out and the speed limit jumps to 40 miles per hour as industry gives way to countryside. Heading toward Elmira, the road can’t seem to decide between one and two lanes, and there is no sense in swerving to avoid potholes – you’ll just hit another anyway.
Continue straight at the stoplight for the 13A spur, and the two southbound lanes merge, uniting just after the entrance to the Ithaca Beer Company.
See the last section: Trivia at the Nameless Bar.
Driving to the Ithaca Beer Company
Head south on New York State Route 13 and you’ll hit that corner of Ithaca that is not so gorges, the big-box store section that bitters Ithaca’s malty, easy-going local sweetness. Industrial parks and strip malls; Wal-Mart, Lowes, Kohls, Midas, Barnes & Noble, McDonalds, Wendy’s, Friendly’s, Burger King. Grey buildings with bright signs line the banks of this gently snaking river of commercialism, a reminder that that Ithaca is, after all, just another American town. Sure, you’ll pass by local staples Manos Diner and the recently closed Smart Monkey Café, but you’re not in The Commons anymore, Toto.
Commercialism ends with The Home Depot on your right as you cross the threshold of a robin-blue bridge just before Buttermilk Falls State Park. Here the road straightens out and the speed limit jumps to 40 miles per hour as industry gives way to countryside. Heading toward Elmira, the road can’t seem to decide between one and two lanes, and there is no sense in swerving to avoid potholes – you’ll just hit another anyway.
Continue straight at the stoplight for the 13A spur, and the two southbound lanes merge, uniting just after the entrance to the Ithaca Beer Company.
Labels:
Beer,
Journalism,
School
Thursday, March 4, 2010
Three Stories of Gershom Gorenberg
Story One
This actually happened. I was reading an excerpt of Truman Capote's In Cold Blood, an ethically questionable work. Capote didn't use tape recorders - claimed he could memorize everything. I can't. But I don't make up scenes either.
I was invited through Todd Schack via Jeff Cohen to attend this supper - wraps and pasta salad and cookies in swanky Park 220. It was an intimate affair: nine students, Gorenberg, and a handful of professors.
Israel. That's the magic word, isn't it? That's the powder keg of P.C., the sweating spotlit character on the world stage.
The first question was reductionist - which is fitting, as journalists by nature have to reduce things, distill them, boil them down to their most essential elements. This was the essence of the question: are American Jewish supporters of Israel supporting it on religious, nationalistic, or ethnic terms?
Gorenberg had just been discussing the intricacies of Israel. It's a nation, a religious nation, and Jews have traditionally identified themselves (and been identified by others) as an ethnic group. You can't separate them - they are all part of the identity.
But that was nothing compared to the question that came from Matt Mogweku, associate professor and chair of the journalism department. Like I said, I didn't record it. But this is the gist of what he said:
"When I was a boy growing up" (hand gesture to denote his height at this age) "I always wanted to visit Israel. Some people say, 'I want to go to Paris before I die.' I said, 'I want to go to Israel so I can die happy.' If I can go to Jerusalem..." (puffs out cheeks, denoting the grandeur of such a possibility). "But as I got older, and I began to read the news..." (rambles a bit). "I don't want to offend anyone here, but I started learning about Israel and nuclear weapons, and I thought, 'what is the difference between Israel and Iran?' I haven't seen any U.S. journalists or Israeli journalists writing about the question of nuclear weapons. I would like to know why no one is writing about this."
The essence of Gorenberg's response: Israeli journalists write about this every day.
But it was pursued more, and Gorenberg's frustration was evident, though he maintained his composure very well. Clearly he did not anticipate being put in the hot spot.
Then there were the questions about American journalists and Israel, even though Gorenberg said multiple times he did not frequently read American new sources. If you want news about Israel, you should read Israeli sources, because they don't get bogged down in reiterating the history of the issue, sacrificing precious words.
You might be thinking now, "Wait, Chris, you love it when journalists put people in the hot seat." That's true, but only when they do so fairly. Essentially Gorenberg was being asked to respond for Israel's government. Or being grouped with Israel and railed against. It is not Gorenberg that made these policies, and if you want to ask him about his views on it, you should ask him, rather than accuse him without reference to his writing or personal belief.
Story Two
Gorneberg then delivered a lecture in Emerson Suites to a small but attentive audience.
Images like the Temple Mount/Al-Aqsa Mosque are symbols. It doesn't matter if important religious events ever happened there, because everyone "knows" that the did. The place is the composite of everything that ever "happened" there.
Also, the location cannot be called by neutral terms because any term used to describe it will instill the values of the describer. Al-Aqsa has the Muslim connotation, Temple Mount the Jewish. My corollary: "PSQ" will have an American, or at least English-language connotation with an English alphabet. It will be given by an outsider, like "Holy Land," which is only holy to the Big Three.
In any case, stories are what matter, because stories are what give our symbols meaning.
P.S. Before the Q&A portion, an announcement was made that all those that would like to discuss Israel politics without asking a question should do so on the Internet. Good call.
Story Three
Gorenberg closed this this beautiful story from the Bereishit Rabba, a midrash on Genesis. (Midrash is something of a rabbinic interpretation, but because of space considerations, and because I am a reductionist journalist, I will not discuss it here. I encourage you, however, to check out the Itche Kadoozy Show for all your questions on Judaism.)
This version of the same story of What Cain said unto Abel in Genesis 4:8 appears over at YU Torah Online.
"One reason is an economic one.
"A second reason concerns issues of power.
"A third reason is the religious one. Who will have the right to claim the Temple?"
Who will have the right to claim the Temple?
"It's because I'm an Israeli journalist. If I were an Israeli heart surgeon they wouldn't be asking me this things."I was eavesdropping on Gershom Gorenberg, the U.S.-born Jerusalem-based journalist who describes himself as a "left-wing, skeptical Orthodox Zionist Jew." He was speaking with Rebecca Lesses, a recently-tenured (deservedly so) professor of Jewish Studies following a supper Q&A with journalism majors and Ithaca College faculty.
This actually happened. I was reading an excerpt of Truman Capote's In Cold Blood, an ethically questionable work. Capote didn't use tape recorders - claimed he could memorize everything. I can't. But I don't make up scenes either.
I was invited through Todd Schack via Jeff Cohen to attend this supper - wraps and pasta salad and cookies in swanky Park 220. It was an intimate affair: nine students, Gorenberg, and a handful of professors.
Israel. That's the magic word, isn't it? That's the powder keg of P.C., the sweating spotlit character on the world stage.
The first question was reductionist - which is fitting, as journalists by nature have to reduce things, distill them, boil them down to their most essential elements. This was the essence of the question: are American Jewish supporters of Israel supporting it on religious, nationalistic, or ethnic terms?
Gorenberg had just been discussing the intricacies of Israel. It's a nation, a religious nation, and Jews have traditionally identified themselves (and been identified by others) as an ethnic group. You can't separate them - they are all part of the identity.
But that was nothing compared to the question that came from Matt Mogweku, associate professor and chair of the journalism department. Like I said, I didn't record it. But this is the gist of what he said:
"When I was a boy growing up" (hand gesture to denote his height at this age) "I always wanted to visit Israel. Some people say, 'I want to go to Paris before I die.' I said, 'I want to go to Israel so I can die happy.' If I can go to Jerusalem..." (puffs out cheeks, denoting the grandeur of such a possibility). "But as I got older, and I began to read the news..." (rambles a bit). "I don't want to offend anyone here, but I started learning about Israel and nuclear weapons, and I thought, 'what is the difference between Israel and Iran?' I haven't seen any U.S. journalists or Israeli journalists writing about the question of nuclear weapons. I would like to know why no one is writing about this."
The essence of Gorenberg's response: Israeli journalists write about this every day.
But it was pursued more, and Gorenberg's frustration was evident, though he maintained his composure very well. Clearly he did not anticipate being put in the hot spot.
Then there were the questions about American journalists and Israel, even though Gorenberg said multiple times he did not frequently read American new sources. If you want news about Israel, you should read Israeli sources, because they don't get bogged down in reiterating the history of the issue, sacrificing precious words.
You might be thinking now, "Wait, Chris, you love it when journalists put people in the hot seat." That's true, but only when they do so fairly. Essentially Gorenberg was being asked to respond for Israel's government. Or being grouped with Israel and railed against. It is not Gorenberg that made these policies, and if you want to ask him about his views on it, you should ask him, rather than accuse him without reference to his writing or personal belief.
Story Two
Gorneberg then delivered a lecture in Emerson Suites to a small but attentive audience.
Images like the Temple Mount/Al-Aqsa Mosque are symbols. It doesn't matter if important religious events ever happened there, because everyone "knows" that the did. The place is the composite of everything that ever "happened" there.
Also, the location cannot be called by neutral terms because any term used to describe it will instill the values of the describer. Al-Aqsa has the Muslim connotation, Temple Mount the Jewish. My corollary: "PSQ" will have an American, or at least English-language connotation with an English alphabet. It will be given by an outsider, like "Holy Land," which is only holy to the Big Three.
In any case, stories are what matter, because stories are what give our symbols meaning.
P.S. Before the Q&A portion, an announcement was made that all those that would like to discuss Israel politics without asking a question should do so on the Internet. Good call.
Story Three
Gorenberg closed this this beautiful story from the Bereishit Rabba, a midrash on Genesis. (Midrash is something of a rabbinic interpretation, but because of space considerations, and because I am a reductionist journalist, I will not discuss it here. I encourage you, however, to check out the Itche Kadoozy Show for all your questions on Judaism.)
This version of the same story of What Cain said unto Abel in Genesis 4:8 appears over at YU Torah Online.
And Cain Spoke unto Abel his brother."It is appealing to suggest that this Midrash is portraying not just the specific dispute between Cain and Abel but from a universal perspective, presenting three reasons why wars break out.
About what did they quarrel?
“Come,” said they, “let us divide the world.” One took the land and the other took the movables. The former said, “The land you stand on is mine,” while the latter retorted, “What you are wearing is mine….”
R. Joshua of Sikhnin said in R. Levi’s name: “Both took land and both took movables, but about what did they quarrel? One said, ‘The Temple must be built in my area,’ while the other claimed, ‘It must be built in mine.’”
Judah b. Rabbi said, “Their quarrel was about the first Eve.” Said R. Aibu: “The first Eve had returned to dust.” Then about what was their quarrel? Said R. Huna, “An additional twin was born with Abel and each claimed her. The one claimed: ‘I will have her, because I am the first born,’ while the other maintained, ‘I must have her because she was born with me.’”
"One reason is an economic one.
"A second reason concerns issues of power.
"A third reason is the religious one. Who will have the right to claim the Temple?"
Who will have the right to claim the Temple?
Labels:
Journalism,
Religion,
School
Sunday, February 28, 2010
Trivia at the Nameless Bar
For my Narrative Journalism class. 22 February 2010
“What’s it gonna be then, eh?”
There was me, that is Chris, and two women I’d never met before, that is Stephanie and Ann, and we sat in a booth of a warm nameless bar racking our brains on a Monday night, a flip dark chill winter flurry. The nameless bar is an indie sort of place, and you may, O my brothers, remember what this place was once called, Korova, though its name is no more, things being what they are…
Teams of hip young locals and graduate students in groups of three to eight discuss answers around slips of paper and half-filled pint glasses. Guys wear tight pants, sweaters and fedoras, t-shirts and trucker hats, their hair and beards kept just-so. Girls wear pea coats and plaid shirts, tunics, simple dresses with leggings, thick-framed glasses. One boundary-bending individual rocks a t-shirt, skirt and Birkenstocks. He looks comfortable.
The most professionally-dressed woman is also the oldest. Straight from the office where she practices internal medicine, Ann is clad in a gray skirt, navy blouse and navy dress jacket. She has wavy ear-length gray hair and blue eyes shine out from behind her thin gold-rimmed glasses. She’s probably in her mid-fifties. Across the booth sits her daughter’s best friend, Stephanie, a 2009 Cornell graduate who tells me she doesn’t want to be a nanny the rest of her life. Usually the two play in a group of three to four, but everyone was busy tonight, so they invited me, a complete stranger, to join them.
We are seated in a cushy brown booth in the back of the bar, next to a series of abstract canvases in brown, blue and white that might represent barren hills in cool morning mist. The rest of the golden-orange walls are adorned with spot-lit “Dreamland” comics of local cartoonist Jim Garmhausen, featuring disembodied arms, grinning anthropomorphic ponies, and bestiality involving dolphins. In one a leprous-looking boy is confronted by his teacher: “Let me guess, Zombie Boy. The dog ate your hand, right?” Art shows rotate through every six weeks – though no one seems to be paying much attention to these surreal monochromatic musings.
Across the room is the coat check – a closet with a window cut out – occupied by a sarcastic wit drinking something dark from a pilsner glass. That’s Bob.
Between rounds of trivia Bob plays the latest indie rock on his iPod and tallies scores for teams like That’s not Mickey Mouse, that’s tit dirt; Temple Grandin can choke my chicken; and I thought the last team name was offensive. (pause) Me too. The last one gives him a chuckle. “I’ve never had someone write me stage directions before,” Bob muses.
Stephanie and Ann have a year and a half of trivia experience between the two of them, but have only won once.
“We won on December 28,” Ann says, stirring her gin and tonic.
“I wrote it down!” Stephanie chimes in.
“She framed the money she won.”
Stephanie nods sheepishly. “I did. But then I spent it.”
Into which ocean does the Zambezi River flow? That’s easy – the Indian. What part of France did the allied forces invade on D-Day? Normandy. “That was back when we fought one war at a time, dammit,” Bob says in a mocking paternal tone. A tough one: On which day of the year are hot cross buns traditionally eaten? “If you think about it, it should make sense,” Bob informs the bar.
The three of us decide it has to have something to do with Easter. “I did see hot cross buns at Wegmans this weekend,” Ann ponders aloud. Mardi Gras, then. That was Tuesday, and Catholics fast on Wednesday. We’re surprised when the answer is Good Friday. No team gets it right.
Some different trivia: The bar is nameless. Outside in the yellow light of The Commons, a sandwich board declares in subway graffiti scrawl, “BAR.” Beneath in chalk: “TRIVIA – OPEN @ 7 PM.” Another graffiti sign at the entrance invites passers-by to try one of “Seventeen Rotating Drafts.” Apartments on the left and above are clearly marked, as is the ever-popular Taste of Thai restaurant next door. But what to call this place?
Once upon a time patrons entered the tavern under a stylized black, white and yellow sign reading “Korova.” Russian for “cow,” the name might recall for some the “Korova Milk Bar” of Anthony Burgess’s novel “A Clockwork Orange” or Stanley Kubrick’s film adaptation. In any case, the name was too similar for the owners of “The Korova Milk Bar®” in White Plains, New York, which prides itself on an “interior right out of the movie.” Last year a legal dispute over the use of the name forced the Ithaca bar to remove the sign, leaving a white rectangular scar on the gray brick exterior. But come on – everyone knows this is still Korova.
It’s not “The Korova” or “The Korova Milkbar,” but “Korova,” the one where the pinball machine, dart boards, Megatouch video game and photo booth all remain unused as patrons chat or do homework or play Scrabble or Sorry! with friends over a craft beer and endless bowls of Chex Mix.
It is the craft beer that attracts the clientele, Tim the bartender explained to me earlier in the evening. The chalkboard graffiti draft list consists mostly of full-bodied craft and international brews: Smuttynose Robust Porter, Delirium Tremens, Southern Tier Crème Brûlée Stout.
“That’s our niche,” Tim says. And then what seems like a non sequitur: “We target ourselves at grad students and locals. We’re not trying to exclude undergrads, but with the kinds of beers we serve…” What he means is that at $4.50 a draft, there are more economical ways to drink. These are, in his words, “premium beers.” “We’re trying to create a lounge atmosphere without the food,” Tim says.
They have bottles, too, listed under more graffiti scrawl. Want a Budweiser? Sorry, but try a Red Stripe or Pabst Blue Ribbon (also available in cans!). Want a light beer? You have one choice: Labatt Blue Light. Want a Corona? Okay, they actually do serve that. For the most part, though, it’s an indie bar playing indie music and serving indie brews.
“Azrael.” That’s the name of Gargamel’s cat, the archangel of death. And to think I thought it was Lucifer.
After three rounds, That’s not Mickey Mouse, that’s tit dirt emerges victorious and the bar begins to empty out the door into the building snowstorm. Bartenders pick up empty glasses say goodbye to the departing crowd.
“Just so you know,” comes Bob’s voice over the chatter, “the winning group is donating their winnings to Doctors Without Borders.”
Amid the noise a girl’s voice cries, “Fuck this bullshit!”
Bob gets his last quip of the night: “That girl right there hates Haiti! And doctors! And she wants you to know about it!”
“What’s it gonna be then, eh?”
There was me, that is Chris, and two women I’d never met before, that is Stephanie and Ann, and we sat in a booth of a warm nameless bar racking our brains on a Monday night, a flip dark chill winter flurry. The nameless bar is an indie sort of place, and you may, O my brothers, remember what this place was once called, Korova, though its name is no more, things being what they are…
- - -
Trivia night. Standing room only. A hundred people simultaneously strain to remember the name of Gargamel’s cat from The Smurfs. “It’s a light night,” remarks Stephanie, setting down her Flower Power IPA. “I think it’s because Cornell has midterms.” Most other nights finding a seat is no problem. Not Mondays, especially not after 9:30.Teams of hip young locals and graduate students in groups of three to eight discuss answers around slips of paper and half-filled pint glasses. Guys wear tight pants, sweaters and fedoras, t-shirts and trucker hats, their hair and beards kept just-so. Girls wear pea coats and plaid shirts, tunics, simple dresses with leggings, thick-framed glasses. One boundary-bending individual rocks a t-shirt, skirt and Birkenstocks. He looks comfortable.
The most professionally-dressed woman is also the oldest. Straight from the office where she practices internal medicine, Ann is clad in a gray skirt, navy blouse and navy dress jacket. She has wavy ear-length gray hair and blue eyes shine out from behind her thin gold-rimmed glasses. She’s probably in her mid-fifties. Across the booth sits her daughter’s best friend, Stephanie, a 2009 Cornell graduate who tells me she doesn’t want to be a nanny the rest of her life. Usually the two play in a group of three to four, but everyone was busy tonight, so they invited me, a complete stranger, to join them.
We are seated in a cushy brown booth in the back of the bar, next to a series of abstract canvases in brown, blue and white that might represent barren hills in cool morning mist. The rest of the golden-orange walls are adorned with spot-lit “Dreamland” comics of local cartoonist Jim Garmhausen, featuring disembodied arms, grinning anthropomorphic ponies, and bestiality involving dolphins. In one a leprous-looking boy is confronted by his teacher: “Let me guess, Zombie Boy. The dog ate your hand, right?” Art shows rotate through every six weeks – though no one seems to be paying much attention to these surreal monochromatic musings.
Across the room is the coat check – a closet with a window cut out – occupied by a sarcastic wit drinking something dark from a pilsner glass. That’s Bob.
Between rounds of trivia Bob plays the latest indie rock on his iPod and tallies scores for teams like That’s not Mickey Mouse, that’s tit dirt; Temple Grandin can choke my chicken; and I thought the last team name was offensive. (pause) Me too. The last one gives him a chuckle. “I’ve never had someone write me stage directions before,” Bob muses.
Stephanie and Ann have a year and a half of trivia experience between the two of them, but have only won once.
“We won on December 28,” Ann says, stirring her gin and tonic.
“I wrote it down!” Stephanie chimes in.
“She framed the money she won.”
Stephanie nods sheepishly. “I did. But then I spent it.”
Into which ocean does the Zambezi River flow? That’s easy – the Indian. What part of France did the allied forces invade on D-Day? Normandy. “That was back when we fought one war at a time, dammit,” Bob says in a mocking paternal tone. A tough one: On which day of the year are hot cross buns traditionally eaten? “If you think about it, it should make sense,” Bob informs the bar.
The three of us decide it has to have something to do with Easter. “I did see hot cross buns at Wegmans this weekend,” Ann ponders aloud. Mardi Gras, then. That was Tuesday, and Catholics fast on Wednesday. We’re surprised when the answer is Good Friday. No team gets it right.
- - -
Some different trivia: The bar is nameless. Outside in the yellow light of The Commons, a sandwich board declares in subway graffiti scrawl, “BAR.” Beneath in chalk: “TRIVIA – OPEN @ 7 PM.” Another graffiti sign at the entrance invites passers-by to try one of “Seventeen Rotating Drafts.” Apartments on the left and above are clearly marked, as is the ever-popular Taste of Thai restaurant next door. But what to call this place?
Once upon a time patrons entered the tavern under a stylized black, white and yellow sign reading “Korova.” Russian for “cow,” the name might recall for some the “Korova Milk Bar” of Anthony Burgess’s novel “A Clockwork Orange” or Stanley Kubrick’s film adaptation. In any case, the name was too similar for the owners of “The Korova Milk Bar®” in White Plains, New York, which prides itself on an “interior right out of the movie.” Last year a legal dispute over the use of the name forced the Ithaca bar to remove the sign, leaving a white rectangular scar on the gray brick exterior. But come on – everyone knows this is still Korova.
It’s not “The Korova” or “The Korova Milkbar,” but “Korova,” the one where the pinball machine, dart boards, Megatouch video game and photo booth all remain unused as patrons chat or do homework or play Scrabble or Sorry! with friends over a craft beer and endless bowls of Chex Mix.
It is the craft beer that attracts the clientele, Tim the bartender explained to me earlier in the evening. The chalkboard graffiti draft list consists mostly of full-bodied craft and international brews: Smuttynose Robust Porter, Delirium Tremens, Southern Tier Crème Brûlée Stout.
“That’s our niche,” Tim says. And then what seems like a non sequitur: “We target ourselves at grad students and locals. We’re not trying to exclude undergrads, but with the kinds of beers we serve…” What he means is that at $4.50 a draft, there are more economical ways to drink. These are, in his words, “premium beers.” “We’re trying to create a lounge atmosphere without the food,” Tim says.
They have bottles, too, listed under more graffiti scrawl. Want a Budweiser? Sorry, but try a Red Stripe or Pabst Blue Ribbon (also available in cans!). Want a light beer? You have one choice: Labatt Blue Light. Want a Corona? Okay, they actually do serve that. For the most part, though, it’s an indie bar playing indie music and serving indie brews.
- - -
“Azrael.” That’s the name of Gargamel’s cat, the archangel of death. And to think I thought it was Lucifer.
After three rounds, That’s not Mickey Mouse, that’s tit dirt emerges victorious and the bar begins to empty out the door into the building snowstorm. Bartenders pick up empty glasses say goodbye to the departing crowd.
“Just so you know,” comes Bob’s voice over the chatter, “the winning group is donating their winnings to Doctors Without Borders.”
Amid the noise a girl’s voice cries, “Fuck this bullshit!”
Bob gets his last quip of the night: “That girl right there hates Haiti! And doctors! And she wants you to know about it!”
Labels:
School
Tuesday, February 23, 2010
Observational Writing
For my Narrative Journalism course, I had to go somewhere and sit there for an hour, just observing the things that went on. I could not place myself in the piece, could not analyze the action, could only write about the place and what was happening. I think I managed with perhaps one or two tiny exceptions.
I'll let you figure out the location and style by yourself. I hope you enjoy!
Cream sign, chocolate border, chocolate lettering:
Rainbow boxes lit by white gym lights hanging from clay-colored rafters. White red blue red white green yellow orange red red…Small print: ENLARGED TO SHOW TEXTURE. Giant flakes and puffs.
Silent weaving brown cart, double basket, moves with authority – purpose. Propelled by man in a leather jacket and red baseball cap.
“Where’s Travis?”
“I don’t know. I thought he was with you.” Cart swoops back.
Clop clop clop high heels clop. Squish-squish squish-squish: white, wet, sticky-soled sneakers.
You found me, you found me
Red box: Kellogg’s Product 19. $3.99 12 oz. (340g) Unit Price $5.32 per pound.
grunnnNNN Forward facing wheels slide laterally gruuuunN on terrazzo composition vinyl tiles. Splotches of gray, shades of gray. Dirt gray on fake stone gray. Gray-brown splat near the Rice Krispies (carts went through as it dried, streaking it three feet outward).
Silent cart Silent feet
Sticky wheel and a cold: wadda wadda wadda *hem hem* wadda wadda
Woman in black: “I like blueberries.”
Man in blue: “I like blueberries.”
tah tah tah tah Silver cart, amber cardboard sixpack on bottom rack. War of 1812 Amber Ale. Chicken (pink on yellow), clementines (wooden box blue paper “Oh my darling!” orange net). Cart’s parked in front of granola bars, young man leaves in search of cereal.
Woman to child in cart: “We have Cheerios at home. We’re getting Cocoa Puffs.”
Track suit and Uggs, walking straight down the aisle. sh-dup sh-dup
007789016786
Unit Price $2.53
WEGMANS OATS & HONEY CEREAL
14.5 oz.
You Pay $2.29 (crossed out) consistent low prices You Pay $1.99.
“Do we need any cereals?”
“I don’t think so.”
“Oh, we should get more granola bars.”
“Ha ha ha, you have gummies, mom.”
“We can’t have gummies.”
Nov 1010CNM WEGMANS CINNAMON SQUARES
Salt-and-pepper-haired man in a black North Face jacket, paper coffee cup held to shoulder, cell phone to ear: “I’m actually at Wegmans right now.”
HPC please call 200. HPC please call 200. Thank you.
Empty of all but bright colors and light music.
BOP! Ari please return to your register. Ari please return to your register.
Woman with dark short hair, slouched back, powder blue jacket, blue jeans. grunN – lateral cart wheels.
Blonde boy: “This should last for about a month.” Big blue box.
Powder blue jacket: “Okay, vat kind of bars do you vant?”
Brunet boy: “Can I have a Snickers bar?”
Powder blue jacket: “Luciano…”
Blonde boy: “Kool Aid?”
Powder blue jacket: “No Kool Aid”
Brunet boy: “Can we have Snickers bars?”
All we are we are
Man in shades of green and tan turns the corner, finds granola bars, places a box in his basket, turns on his heel and exits.
Brown Converse All-Stars with white laces. The man she’s with to his cell phone: “How long does it take you to get to New York City? Talk to Chester about that. I think Josie’s there right now – talk to Josie.”
Preserves: Cherry Pineapple Blackberry Strawberry Red Yellow Violet Red
Boy one is in a blue coat, mom’s in white, pushing boy two and the groceries. Boy one: “Oh mommy no wait. I want some can I have some.” “Okay put them in the cart.” Kacha
Pop Tarts: Blueberry Muffin, Apple Strudel, Cinnamon Roll, Vanilla Milkshake, S’Mores. Blue boxes: 8 Toaster Pastries.
“Oh that’s so cool oh that’s so cool.”
“That was really cool.”
Pancakes mixes, by shelf:
$2.49 $2.49 $2.49 $2.79
$1.99 $1.99
$2.29 $2.29 $3.29
$2.29 $2.29 $1.49 $2.39
$3.29 $3.29 $2.69 $2.69 $2.69
comparison shop? TOPS $2.99
Woman in orange sweatshirt, brown pants grabs Wegmans Butter-Flavored Syrup. “Gross.”
Say goodnight and go
Sunglasses in collar of a blue shirt, hands in jean pocket, red and white pumas, styled hair, scruff. Scrutinizes.
Why’d you have to be so cute? It’s impossible to ignore you
No cereal. “Let’s go”
Friend in navy yellow-piped jacket, white along the sides: “Find yourself some cereal.”
No answer.
“Maybe some Fruit Loops or some Fruity Pebbles. Get your colors.”
ayeeyeeyeeyeeyee iiiiiiiiIIIIeiaheiaheiaheiah loose wheel. Three whistled notes compete.
gruuuUN!
Foot-dragging boots tshi tshi tshi tshi.
SMART
START
Strong Heart
Whole-Grain Oats, Antioxidants & Low Sodium (& a heart-shaped bowl).
Whirra whirra Brown carts cross chrome carts.
psh psh Toe-first clog-walking, leaning on cart handle, brown winter parka swaying around knees.
Honey Nut Toasted Oats, shaken kish-a-kish-a-kish, replaced. New box a-kish placed in brown cart. Pause. Exit: green hat, brown suede jacket, jeans, sunglasses on hat.
I know where’ I’m goin’
I'll let you figure out the location and style by yourself. I hope you enjoy!
- - -
Cream sign, chocolate border, chocolate lettering:
15A
Cereal Peanut Butter
Oatmeal Syrup
Cereal Peanut Butter
Oatmeal Syrup
Rainbow boxes lit by white gym lights hanging from clay-colored rafters. White red blue red white green yellow orange red red…Small print: ENLARGED TO SHOW TEXTURE. Giant flakes and puffs.
GOLEAN Stay Fuller Longer!*
Silent weaving brown cart, double basket, moves with authority – purpose. Propelled by man in a leather jacket and red baseball cap.
“Where’s Travis?”
“I don’t know. I thought he was with you.” Cart swoops back.
Clop clop clop high heels clop. Squish-squish squish-squish: white, wet, sticky-soled sneakers.
You found me, you found me
Red box: Kellogg’s Product 19. $3.99 12 oz. (340g) Unit Price $5.32 per pound.
grunnnNNN Forward facing wheels slide laterally gruuuunN on terrazzo composition vinyl tiles. Splotches of gray, shades of gray. Dirt gray on fake stone gray. Gray-brown splat near the Rice Krispies (carts went through as it dried, streaking it three feet outward).
Silent cart Silent feet
Sticky wheel and a cold: wadda wadda wadda *hem hem* wadda wadda
Woman in black: “I like blueberries.”
Man in blue: “I like blueberries.”
tah tah tah tah Silver cart, amber cardboard sixpack on bottom rack. War of 1812 Amber Ale. Chicken (pink on yellow), clementines (wooden box blue paper “Oh my darling!” orange net). Cart’s parked in front of granola bars, young man leaves in search of cereal.
Woman to child in cart: “We have Cheerios at home. We’re getting Cocoa Puffs.”
Track suit and Uggs, walking straight down the aisle. sh-dup sh-dup
007789016786
Unit Price $2.53
WEGMANS OATS & HONEY CEREAL
14.5 oz.
You Pay $2.29 (crossed out) consistent low prices You Pay $1.99.
“Do we need any cereals?”
“I don’t think so.”
“Oh, we should get more granola bars.”
“Ha ha ha, you have gummies, mom.”
“We can’t have gummies.”
Nov 1010CNM WEGMANS CINNAMON SQUARES
Salt-and-pepper-haired man in a black North Face jacket, paper coffee cup held to shoulder, cell phone to ear: “I’m actually at Wegmans right now.”
HPC please call 200. HPC please call 200. Thank you.
Empty of all but bright colors and light music.
BOP! Ari please return to your register. Ari please return to your register.
Woman with dark short hair, slouched back, powder blue jacket, blue jeans. grunN – lateral cart wheels.
Blonde boy: “This should last for about a month.” Big blue box.
Powder blue jacket: “Okay, vat kind of bars do you vant?”
Brunet boy: “Can I have a Snickers bar?”
Powder blue jacket: “Luciano…”
Blonde boy: “Kool Aid?”
Powder blue jacket: “No Kool Aid”
Brunet boy: “Can we have Snickers bars?”
All we are we are
Man in shades of green and tan turns the corner, finds granola bars, places a box in his basket, turns on his heel and exits.
Brown Converse All-Stars with white laces. The man she’s with to his cell phone: “How long does it take you to get to New York City? Talk to Chester about that. I think Josie’s there right now – talk to Josie.”
Preserves: Cherry Pineapple Blackberry Strawberry Red Yellow Violet Red
Boy one is in a blue coat, mom’s in white, pushing boy two and the groceries. Boy one: “Oh mommy no wait. I want some can I have some.” “Okay put them in the cart.” Kacha
Pop Tarts: Blueberry Muffin, Apple Strudel, Cinnamon Roll, Vanilla Milkshake, S’Mores. Blue boxes: 8 Toaster Pastries.
“Oh that’s so cool oh that’s so cool.”
“That was really cool.”
Pancakes mixes, by shelf:
$2.49 $2.49 $2.49 $2.79
$1.99 $1.99
$2.29 $2.29 $3.29
$2.29 $2.29 $1.49 $2.39
$3.29 $3.29 $2.69 $2.69 $2.69
comparison shop? TOPS $2.99
Woman in orange sweatshirt, brown pants grabs Wegmans Butter-Flavored Syrup. “Gross.”
Say goodnight and go
Sunglasses in collar of a blue shirt, hands in jean pocket, red and white pumas, styled hair, scruff. Scrutinizes.
Why’d you have to be so cute? It’s impossible to ignore you
No cereal. “Let’s go”
Friend in navy yellow-piped jacket, white along the sides: “Find yourself some cereal.”
No answer.
“Maybe some Fruit Loops or some Fruity Pebbles. Get your colors.”
ayeeyeeyeeyeeyee iiiiiiiiIIIIeiaheiaheiaheiah loose wheel. Three whistled notes compete.
gruuuUN!
Foot-dragging boots tshi tshi tshi tshi.
SMART
START
Strong Heart
Whole-Grain Oats, Antioxidants & Low Sodium (& a heart-shaped bowl).
Whirra whirra Brown carts cross chrome carts.
psh psh Toe-first clog-walking, leaning on cart handle, brown winter parka swaying around knees.
Honey Nut Toasted Oats, shaken kish-a-kish-a-kish, replaced. New box a-kish placed in brown cart. Pause. Exit: green hat, brown suede jacket, jeans, sunglasses on hat.
I know where’ I’m goin’
Labels:
Journalism,
School
Friday, February 19, 2010
Live blogging Tiger Woods' um, whatever it is.
***Updated below with postscript***
10:20 AM - 40 Minutes Till Go
It's the event that no respectable journalist should attend: Tiger Woods' scripted, no-questions-allowed statement to 30 of his closest friends and few media outlets.
You might think that's not a lot of people, except it's televised. And the fact that Woods isn't answering questions there is no reason for anyone to really attend at all. Woods could have apologized in person to those people. It's a "pseudo-event." But he is apologizing to me, so unlike the Golf Writers Association of America, I'm bringing the media circus straight to you.
Woods has no reason to apologize to the public. As Richard Sandomir writes in the New York Times, "Woods did not sin against golf." He sinned against his partner and American institutions perhaps, but not his sport. It's the institutions part that I am fascinated by. Woods was seen as a safe bet for advertisers, a positive role model. So he lost his sponsorships and was vilified when a single affair (and over the next few days a harem) is exposed.
I love it. Compare it to Alexander Ovechkin, who is one of the dirtier players in the NHL, nice neither on nor off the ice. But kids somehow look past his transgressions because he is an amazing player:
(1:10 gives the best detail)
"But wait," you say, "the situations are completely different!" You're absolutely right! Woods transgressed on his own time. If there is any crossover between Woods' personal life and his sport, it is because of the entertainment-media-advertising complex. Woods plays great golf no matter who he has sex with.
Roy Peter Clark brings to light five great stories that should be done on Woods. In my opinion, these creative methods should be the only pieces done on Woods:
*You might notice I refer to Tiger Woods as "Woods" throughout this post. That's because I don't know him on a first-name basis, as apparently a number of newscasters and writers do.
10:30 ESPN Pregame
The asshat is giving commentary on ESPN. He advocates taking six months off of golf ("we're only three months into it"). Says Woods is on step nine (of a ten-step program), but Woods is going back into rehab after this statement.
Reilly is very concerned with Woods' marriage and the people he surrounds himself with (in public). "We invested in his life," says Reilly: buying his products, believing in his school, etc. Yeah, but people invested in Enron as well. There is a risk to investing in anything.
Apparently women are the people that are the most disgusted by Woods's actions. And Nike? Woods should therefore go on Oprah and get interviewed by Diane Sawyer. Couch jumping, in fact, has been proven to endear strange-seeming men with astereotypical (yes, astereotypical) relationships.
Rick Reilly calls the man "Tiger." Josh Elliot calls him "Woods."
10:40
ABC News' John Berman interviewed. Go figure.
Sergio Garcia: "To tell you the truth, I'm really not that interested."
Golfers interviewed are more interested in Woods' professional life than personal life. Go figure.
10:50
SportsCenter Rundown: Tiger Woods Public Statement // Tiger Speaks Today // North and Reilly Live.
On now: Tiger and Galleries
10:54
How many William Blake knock-offs do you think have been written since Thanksgiving?
11:00
According to Randy Shilts in Patient Zero, The Wall Street Journal did not report on GRID (as it was called before the more correct term "AIDS" came into use) until the disease had a heterosexual angle. That's shameful on the part of the paper, but the newspaper does offer an interesting glance into the financial world. The Wall Street Journal lets us know what's on the minds of America's business people, with some hard-hitting news built in (through the lens of business, of course).
Things that matter this morning (headlines courtesy WSJ):
Tax Protestor Crashes Plane Into IRS Office
U.S. Bets Best Ally in [Afghanistan] Surge is Old One
[Interest] Rate Rise Stirs Questions
Obama Unveils Debt Panel - and GOP Is Likely to Join It
Soldiers Oust President in Coup in Uranium-Rich Niger
Somali Troops Gird for Battle With Militants
Fight Over Health-Care Premiums Heats Up
IAEA Suspects Iran Seeks Nuclear Arms
U.A.E. Probes a U.S. Tie in Killing of Hamas Figure
IMF Suggest Capital Controls for Emerging Markets
Pakistan Arrests Two Taliban Leaders
Dutch Nearing Afghan Pullout
Wal-Mart Warns of Soft Sales Ahead
Toyota's Chief Will Testify in Congress
Google Defends Its Books Pact
Regulators Clear Microsoft-Yahoo Alliance
Greece's Next Test Is in Bond Sale
Lewis Knew of Legal Decision
Obama Meets Dalai Lama Despite China's Ire
11:10
It is 31 degrees outside.
11:15
The shindig is over. Rick Reilly is coming on so the TV is turning off.
Fin.
1:45 Post Script
Okay, it seems I can't not talk about Woods. I was just talking with my roommate Jon about Woods' claim that Elin Nordegren did not ever harm him. Where did that report ever come from? TMZ? Oh. Reblogged by the...wait. Huffington Post?! Oh my. Oh, oh my.
I am surprised no one has advanced a Tyler Durden theory yet regarding Woods' injuries. Spread the word. But not too much - no one likes a media circus.
10:20 AM - 40 Minutes Till Go
It's the event that no respectable journalist should attend: Tiger Woods' scripted, no-questions-allowed statement to 30 of his closest friends and few media outlets.
You might think that's not a lot of people, except it's televised. And the fact that Woods isn't answering questions there is no reason for anyone to really attend at all. Woods could have apologized in person to those people. It's a "pseudo-event." But he is apologizing to me, so unlike the Golf Writers Association of America, I'm bringing the media circus straight to you.
Woods has no reason to apologize to the public. As Richard Sandomir writes in the New York Times, "Woods did not sin against golf." He sinned against his partner and American institutions perhaps, but not his sport. It's the institutions part that I am fascinated by. Woods was seen as a safe bet for advertisers, a positive role model. So he lost his sponsorships and was vilified when a single affair (and over the next few days a harem) is exposed.
I love it. Compare it to Alexander Ovechkin, who is one of the dirtier players in the NHL, nice neither on nor off the ice. But kids somehow look past his transgressions because he is an amazing player:
(1:10 gives the best detail)
"But wait," you say, "the situations are completely different!" You're absolutely right! Woods transgressed on his own time. If there is any crossover between Woods' personal life and his sport, it is because of the entertainment-media-advertising complex. Woods plays great golf no matter who he has sex with.
Roy Peter Clark brings to light five great stories that should be done on Woods. In my opinion, these creative methods should be the only pieces done on Woods:
- Woods as a prototype of Barack Obama, an African-American with light skin and a proper accent (cf. the oafish Harry Reid), deemed more acceptable to white America.
- A description of the gender differences revealed by the reaction to the scandal: how women focused on disloyalty, while men seemed more concerned with the stupidity and recklessness that resulted in his getting caught.
- A story on race and gender focused on the reaction of African American women to Tiger's apparent obsession with light-skinned, light-haired women.
- Whether or not a wealthy celebrity like Tiger Woods can find justice within the legal system. Does his status get him a pass? Or does it attract harsher penalties?
- The extent to which a double standard governs cases of spousal abuse. What if it were the Tiger swinging a club at his wife?
*You might notice I refer to Tiger Woods as "Woods" throughout this post. That's because I don't know him on a first-name basis, as apparently a number of newscasters and writers do.
10:30 ESPN Pregame
The asshat is giving commentary on ESPN. He advocates taking six months off of golf ("we're only three months into it"). Says Woods is on step nine (of a ten-step program), but Woods is going back into rehab after this statement.
Reilly is very concerned with Woods' marriage and the people he surrounds himself with (in public). "We invested in his life," says Reilly: buying his products, believing in his school, etc. Yeah, but people invested in Enron as well. There is a risk to investing in anything.
Apparently women are the people that are the most disgusted by Woods's actions. And Nike? Woods should therefore go on Oprah and get interviewed by Diane Sawyer. Couch jumping, in fact, has been proven to endear strange-seeming men with astereotypical (yes, astereotypical) relationships.
Rick Reilly calls the man "Tiger." Josh Elliot calls him "Woods."
10:40
ABC News' John Berman interviewed. Go figure.
Sergio Garcia: "To tell you the truth, I'm really not that interested."
Golfers interviewed are more interested in Woods' professional life than personal life. Go figure.
10:50
SportsCenter Rundown: Tiger Woods Public Statement // Tiger Speaks Today // North and Reilly Live.
On now: Tiger and Galleries
10:54
How many William Blake knock-offs do you think have been written since Thanksgiving?
11:00
According to Randy Shilts in Patient Zero, The Wall Street Journal did not report on GRID (as it was called before the more correct term "AIDS" came into use) until the disease had a heterosexual angle. That's shameful on the part of the paper, but the newspaper does offer an interesting glance into the financial world. The Wall Street Journal lets us know what's on the minds of America's business people, with some hard-hitting news built in (through the lens of business, of course).
Things that matter this morning (headlines courtesy WSJ):
Tax Protestor Crashes Plane Into IRS Office
U.S. Bets Best Ally in [Afghanistan] Surge is Old One
[Interest] Rate Rise Stirs Questions
Obama Unveils Debt Panel - and GOP Is Likely to Join It
Soldiers Oust President in Coup in Uranium-Rich Niger
Somali Troops Gird for Battle With Militants
Fight Over Health-Care Premiums Heats Up
IAEA Suspects Iran Seeks Nuclear Arms
U.A.E. Probes a U.S. Tie in Killing of Hamas Figure
IMF Suggest Capital Controls for Emerging Markets
Pakistan Arrests Two Taliban Leaders
Dutch Nearing Afghan Pullout
Wal-Mart Warns of Soft Sales Ahead
Toyota's Chief Will Testify in Congress
Google Defends Its Books Pact
Regulators Clear Microsoft-Yahoo Alliance
Greece's Next Test Is in Bond Sale
Lewis Knew of Legal Decision
Obama Meets Dalai Lama Despite China's Ire
11:10
It is 31 degrees outside.
11:15
The shindig is over. Rick Reilly is coming on so the TV is turning off.
Fin.
1:45 Post Script
Okay, it seems I can't not talk about Woods. I was just talking with my roommate Jon about Woods' claim that Elin Nordegren did not ever harm him. Where did that report ever come from? TMZ? Oh. Reblogged by the...wait. Huffington Post?! Oh my. Oh, oh my.
I am surprised no one has advanced a Tyler Durden theory yet regarding Woods' injuries. Spread the word. But not too much - no one likes a media circus.
Labels:
Animals,
ESPN,
New York Times,
Sports,
Tiger Woods
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